Artist Ryan Mcginness's Art Work And Paintings At The Saatchi Gallery
By Saatchi-Gallery
Ryan McGinness’s work resolves the clinical graphic aesthetics of media as vast, contemplative fields of intimate meditation. Under Five Chairs Psychiatrists Wink is set across three panels, each beaconing with a baroque entrancement. Woven together with delicate intricacy, McGinness’s forms converge in a kaleidoscope of free-flowing associations: Stylised motifs, calligraphic patterns, and abstracted tattoo-like insignia overlap in arabesque mandalas. Framed within rich black and red planes, McGinness’s painting is reminiscent of ancient tapestries, fabricating the iconography of contemporary experience as spiritual and timeless.

Extending beyond Pop’s elevation of marketing logos to art, McGinness pushes his work into the realm of the commodity. His output spans from traditional paintings to video, installations and a range of consumer products, fusing high and low culture through the language of advertising. In MKULTRA – titled after the 1950s CIA mind control project – McGinness presents a trippy amalgamation of symbols and patterns on a circular panel. Set on a red background, McGinness’s entwined logos concentrate sensations of uneasy exotica in their Eastern influenced aesthetic. Using graphic design as subterfuge, McGinness explores the intrinsic cultural narratives contained within generic form.

Partaking in mark-making as a timeless form of communication, McGinness’s process of painting is devoid of the artist’s exclusive gesture. His ultra-smooth surfaces are embellished through veneers of spray paint and silk-screen, coining seamlessly manufactured fields free from personal contact. Although he replicates styles and designs that seem innately familiar, McGinness’s iconography is entirely

Article continued below...